Friday 24 May 2013

1478

Norman Drainwangle sits alone in a corridor, he's a man like very much like you or I, except Norman has broken the law and awaits his sentence in a court of justice. A court with judges, barristers and lawers going about their business, an every day drama acted out in a thousand such institutions all over the world. But this is no ordinary world, this is world where nightmare tiptoes into the daylight and says, 'Boo' a world where reality and fantasy mingle like the fruit topping on the ice cream you bought your girlfriend at Mr. Whippy's. Tell her to eat it now before it starts to drip on her blouse because now you're about to take a peek through my -- DeadSpiderEye. 

It had to happen eventually I suppose, they caught me out, god I thought I was safe over breakfast just goes to show how much effort they put into catching you.

I've not had a licence for some time now, probably about six years, I don't miss it, X-Factor, Coronation Street, the endless trivia and white noise. The only thing I still do occasionally miss is the racing, football, Jeremy Clarkson's banter and his colourful prose. Of course it's not a licence any more, it's officially been a tax for a number of years, they still call it a licence in public though. I suppose they're shying away from the word even though they're eager to embrace the benefits of the licence's status as a tax, evading the licence is now a criminal offence. I admit I don't abstain completely from activities that require the licence,  I'm usually careful to avoid situations that would cause me liability though. Avoiding the licence legally is becoming increasingly difficult, if you've got a computer or mobile phone they're after you, there's even talk of you having to prove you use these devices exclusively for purposes other than that covered by the licence fee. I suppose if they just taxed you being alive or having a head on your shoulders that be too reminiscent of Mrs. T's Pole Tax.

They send you threatening mail regularly if you don't have a licence, not the corporation itself mind you, their proxy in the licence fee collection business. They need to have suitable distance between the corporation and the issuing of threats to innocent member of the public, you see how that works? Quite why the licence fee and the attendant coercion is tolerated in what's supposed to be a liberal democracy is a mystery to me. Perhaps it's just a lack of perspective, it's always been there, there's a blind a spot within public perception, a bit like people disappearing when they reach thirty in Logan's Run, if it's all you've ever known it would seem normal.

'Norman Drainwangle!'

Oh that's me, here goes...

Twenty seven minutes later

...oh well that's not so bad, £700 fine, not the maximum, I think that's about £2000. The judge warned that If I'm caught again, it's a custodial sentence I can't risk that especially considering what I was caught doing last time, Dam it, if only I hadn't read the back of that cornflake packet as I sat down for breakfast -- and aloud too, what was I thinking? I suppose I'd better get my Reading Licence now, don't want the BPC, the bloody British Publishing Corporation jumping on me for reading the mail when I get home.

And so Norman Drainwangle leaves the court chastened, branded a criminal for reading without a licence. An activity that you and I would take for granted in our world, criminalised with offenders and the innocent alike hounded by a ruthless bureaucracy. Take comfort with the knowledge that this could never happen here -- or could it? That's a question to ponder till the next time you dare to peek beyond the veil, through my -- DeadSpiderEye!!!!

Doo doodoodoo.....   

Wednesday 22 May 2013

Man in a suitcase -- The girl who never Was

I think Man in a Suitcase is one of those television shows that resonates quite strongly with those from my generation but is almost unknown to anyone else. It was one of those detective dramas from the sixties by ITC, produced with an eye towards the American market. From what I've learned it was the direct successor to Dangerman (Secret Agent), utilising the production crew after McGoohan left to pursue The Prisoner project. The style of the show went even further down the hard boiled route than Dangerman, our hero, McGill, played brilliantly by the uncompromising method actor Richard Bradford, was laconic and moody, morose even. A disgraced former US intelligent agent, McGill was man cast adrift from his former life, living from job to job, a man who rarely slept under the same roof for more than a week, a man in a suitcase. His exploits often placed him in peril and presented moral dilemmas more complex than is usual for a typical hero. He was as likely to find himself in conflict with an unscrupulous client as was to be exchanging blows with heavies in a darkened alley. There's a good chance, I think, that the show took its cues from popular American fiction, there's a definite Mike Hammer feel to McGill but just as the unjustly maligned Spillane's character never found a popular audience in US television, Man in a Suitcase also fell on unwelcome shores and was cancelled after the first season.

Whether the show's failure to find an audience in the US was a result of audience reaction or the manoeuvrings of TV execs is uncertain, what is clear is that television in the US was moving into less dangerous territory. Successful shows like The Man from Uncle were being softened up, partly through the influence of mid-sixties camp, partly through concerns over the depiction of violence. McGill's world of casual violence and moral ambiguity might be too grim for a nation seeking respite from the reality of the Vietnam war, who knows?

--

The single episode that really stick is my mind is, The Girl Who Never Was, this episode features Bernard Lee in a fantastic role. He plays a retired army man, Kershaw, I'm not sure what rank but his character's affectations suggest a Warrent Officer. Kershaw's character is brilliantly and succinctly conveyed in the script by Lee's performance. He's a man with his best years behind him, who misses the status and respect his rank afforded him. He's one of two antagonists in the story, the other, Gilchrist is an art dealer played by Annette Carell, while not exactly unscrupulous, Gilchrist is callous and devious and betrays both Kershaw and McGill in like manner.

The plot revolves around a painting looted from Italy during the war by a mentally disturbed British soldier and the efforts to recover it. McGill's character moves through the narrative like the wind or the tide, a force of nature, not a typical protagonist motivating the narrative, he just does his job. What makes his character sympathetic is his ethical code and his personal integrity. He doesn't meter out justice or arbitrate between good an evil, he's just trying to make an honest living while making as small a wake as possible through a sea of troubled humanity. As you might guess the resolution of the plot is not straight forward but the final scene is one of my favourites of any tv drama.

Sunday 19 May 2013

Sheridan's Toadstool

About this: Some of the themes here are a bit touchy, it's not graphic or anything, there's no violence or real unpleasantness but it might not be suitable for light reading.

Better, worse, who knows? It's all just for fun anyway,  have a gander at the first version here if you're interested.


I never lost the accent, the one I acquired in early childhood in Middlesex, well not completely anyway, the memories linger longer than they ought -- too. One of these recollections concerns an incident that occurred close to the time I left the area. Sheridan's Garage was the kind of establishment that's been extinct for some time now, a town garage nestled between retail premises. Entrance from the street was through a pair of large blue painted doors, arranged in what's known as a wicket gate, the door on the right as you faced them from the street, had a smaller door inset into it for the convenience of pedestrians and the proprietor. Even then, Mr. Sheridan's business was less than thriving, there would be the occasional cyclist with a punctured tyre the odd jalopy, the kind of car that inhabited the roads back when you could travel in the country for hour at night without dipping your lights.

The seemingly permanently closed doors of Sheridan's is one of my most prominent recollections from the period, those first few years in Talbot Road. We're just around the corner from where Christie lived, the serial killer who's earlier crimes had been attributed to an unfortunate who paid with his life for the incompetence and bigotry of others. In fact one of Christie's later victims had worked in our grocers shop for a while, her disappearance had caused the finger of suspicion to levelled at my father. Wagging tongues had taken their toll on his relations with my mother. I imagine that's one of the reasons he developed a strong streak of Anglophobia in his later years. He was a short man, a Lithuanian emigre who arrived in England during the war, whether he was in flight from German or Russian occupation I never knew. He spoke English badly, it wasn't that he had trouble with the language, he was an intelligent man who'd aspired to be an engineer in his youth but he was always trying to mask his accent.

A little further down the road from the Sheridan's, on the opposite side of the street is a basement flat, the home of another one of my father's occasional shop staff. The reason why this particular lady's noteworthy is somewhat less tragic. Her daughter, a little older than me, has become the focus of my very first romantic interest although that's no particular reason for notoriety. What is interesting, though only mildly so to anyone except myself. is what became of her. She became a model and with good reason, she grew up into an extremely attractive young woman, not that I ever clapped eyes on her again, aside from her appearance in things like the Pirelli calender. I would have been blissfully ignorant of such if wasn't for the intervention of my darling sister, who took great delight in pointing the fact out to me in my tender youth.

Father wasn't well suited to retail, didn't have the patience or absence of thought to cope with the tedium, mother was much better at it and the business soon folded after she left him. She'd often recall tales to me in later years, how she'd mollify customers, pass a bar of chocolate to their kids as they paid for their groceries with a, 'Say thank you to the nice lady' never noticing that the price of the gift had been added to their bill. She'd tell of my father's incompetence with money, on one occasion, she even recalled how they first met, she'd answered the door to him as he was calling on a lady of a certain profession, who lodged in the same house. Not something anyone really needs to know about their family history that -- but she's forgiven, her mind lost a lot of sharpness as she aged. I never asked why she should be lodging in the same building either.

I don't recall the words exactly, not all of them but they were loud, my father ended his diatribe with, 'Get out -- go and stay with that Jew Sheridan next door'. Not quite sure what logic lied behind that particular exclamation, Sheridan was an old man, but the anti-Semitism expressed was genuine and my mother complied with his wishes promptly. It wasn't long before I found myself passing through Sheridan's blue threshold, my mother's hand tightly grasping mine. Inside we were greeted with tea and platitudes. Sheridan it seemed was a man of meagre means, his living space was cramped and cluttered. Mother's lips pursed at the unaccustomed taste of sterilised milk as she drank her tea. I'm not sure what I drank, probably orange juice if he had any, maybe it was just water. I was too interested in the terra incognita that was Sheridan's home, strangely he had a large pile of comics, you know the kind we used to have so many of then, The Valiant, Lion, Victor, The Beano and The Dandy too, My reading skill were basic but the four colour process of the covers was too alluring. I wonder what suspicions a man like Sheridan hoarding such reading materials would arouse today. Whether such suspicions were not such a concern then or if was because of some other imperative I'm not sure but Mother soon left and I found myself alone in the company of Mr. Sheridan. Don't worry, Sheridan's not a nonce so this is no tale of childhood trauma.

Mother left quite discreetly while I was busy with the pile of comics. I was a child used to the absence of parental supervision, being left in the care of my sister on many occasions. A sister who happened to be latterly diagnosed as psychotic though, she disappeared at the first opportunity, probably to entertain the local west indian youths who were populating the area in increasing numbers. Even so if it hadn't of been for the distraction of the comics I would probably have complained, as this day had been marked by more stress than was usual.

Sheridan Himself had left the room, happy it seems to leave me with his comics. I became quite engrossed, the illustrated war stories, populated with have-a-go stereotypes and Germans hiding under dark helmets was successfully holding my attention. After a while, something a little different caught my eye, it was a book, not a comic and I noticed it because of its colourful spine, as it sat amongst Sheridan's modest library of books on a shelf. Emboldened by the spirit of discovery I didn't hesitate to prise it from its resting place. The cover struck me as strange, the comics seemed prosaic by comparison, it was something quite surreal. There was something immediately unsettling about it, with its lurid green and yellow lettering executed in a stylized script. The illustration depicted some objects that I couldn't quite make out but I could see they had faces on them. The only thing I'd encountered like them before was the Homepride men or the Tate and Lyle Mr. Cube. Despite my sense of unease I promptly opened the book and was greeted by a curious musty odour, the illustrations inside though, where quite pleasant to view. They depicted various scenes, usually with some adults accompanied by one or two children. The text accompanying the pictures was very strange, it was quite dense and set in what seemed to me to be a rather baroque typeface.

Just then, Sheridan entered in the room, he was quite disturbed when he saw me reading or rather examining the book and he spoke to me sharply enough to get my chin wobbling. Something that took me by surprise, since he'd been rather sanguine about my interest in his comics. None the less I complied immediately with his request to 'Put that book down' and retreated, my interest in his collection of printed work curtailed. That's probably when I noticed my mother had left and I started to feel a little vulnerable, to his credit Sheridan picked up on my mood rather quickly and apologised for his outburst. That's probably the first time any adult had ever done that, said sorry to me, there's precious few occasions that adults ever express any feeling of genuine regret, to anyone let alone a child. We only say, sorry because we're coerced or we feel we have something to lose, lets face it, do most adults even have any genuine regrets when they injure or cause distress to others?

I responded rather well to Mr. Sheridan's contrition, well enough to give my curiosity free rein and ask him few questions: 'What's that picture on the front?'

The answer, 'A grotesque caricature' wasn't a great deal of help to a person with my vocabulary.

'What's this word say?' I asked pointing at the script on the cover.

'Toadstool'.

I was still the none the wiser and I could see the patience borne through his contrition was wearing thin, so I opted to forgo the request for a definition and ask the pertinent question, 'Mr. Sheridan -- why shouldn't I read that book?'

He answered me directly 'That book's evil, I would burn it, a child should be reading it?' his words seemed contradictory to my ears, he continued, 'It's propaganda.'

'What's propaganda?' I asked, I pronounced the word as if I was querying about a male goose.

'It's a weapon, a weapon used to do bad things, used by bad people to turn others like them, make them the same as them.'

The concept of a weapon was something I could understand even in my immaturity. The comics I had just examined had been full of heroes and villains employing diverse examples of such: rifles, machine guns, knifes but the idea that a weapon could turn your foe into an ally seemed potent indeed to my young mind. I wasn't exactly sure how such a device could reside between the pages of a book, so I set my mind to discovering its secrets and chanced one last question, 'How can I get a propaganda?'

'Those comics you're reading, they have heroes in them -- those heroes have guns I suppose, what they do with them?'

'They kill the baddies.' I said triumphantly.

Then he looked at me in the eye, 'That's what weapons are good for boy, death'.

Of course a child has a limited concept of death, it's something that happens to people, you know that much. In the comics the heroes had won out and survived, as the they always do in a fantasy. Sheridan's lesson hadn't fallen on fertile soil, 'Kill the baddies, kill the baddies' I exclaimed joyously, I'm sure he must have winced at my hubris but I'm speculating, just then mother returned. She probably been gone less than an hour, she thanked Sheridan and we left.

Friday 17 May 2013

The Toadstool in Sheridan's Garage

About this: Some of the themes here are a bit touchy, it's not graphic or anything, there's no violence or real unpleasantness but it might not be suitable for light reading.

This is a one hit draft, except for some minor changes, that might make it interesting. I'll probably put the revised version for the sake of comparison.

I dropped the, fiction, suffix in the title, it was generating some referrer spam which is very noticeable here cos traffic is a bit low.



I never lost the accent, the one I acquired in early childhood in Middlesex, well not completely anyway, the memories linger longer than they ought -- too. One of these recollections concerns an incident that occurred close to the time I left the area. Sheridan's Garage was the kind of establishment that's been extinct for some time now, a town garage nestled between retail premises. Entrance from the street was through a pair of large blue painted doors, one of them, the one on the right as you faced them from the street, had one of those inset doors for the convenience of pedestrians and the proprietor. Even then, Mr. Sheridan's business was less than thriving, there would be the occasional cyclist with a punctured tyre the odd jalopy, the kind of car that inhabited the roads back when you could travel in the country for hour at night without dipping your lights.

The seemingly permanently closed doors of Sheridan's is one of my most prominent recollections from the period, those first few years in Talbot Road. We're just around the corner from where Christie lived, the serial killer who's earlier crimes had been attributed to an unfortunate who paid with his life for the incompetence and bigotry of others. In fact one of Christie's later victims had worked in our grocers shop for a while, her disappearance had caused the finger of suspicion to levelled at my father. Wagging tongues had taken their toll on his relations with my mother. I imagine that's one of the reasons he developed a strong streak of Anglophobia in his later years. He was a short man, a polish emigre who arrived in England in flight from German occupation during the war. He spoke English badly, it wasn't that he had trouble with the language, he was an intelligent man who'd aspired to be an engineer in his youth but he was always trying to mask his accent.

He wasn't well suited to retail, didn't have the patience or absence of thought to cope with tedium, mother was much better at it and the business soon folded after she left him. She'd often recall tales to me in later years, how she'd mollify customers, pass a bar of chocolate to their kids as they paid for their groceries with a, 'Say thank you to the nice lady' never noticing that the price of the gift had been added to their bill. She'd tell of my father's incompetence with money, on one occasion, she even recalled how they first met, she'd answered the door to him as he was calling on a lady of a certain profession, who lodged in the same house. Not something anyone really needs to know about their family history that -- but she's forgiven, her mind lost a lot of sharpness as she aged. I never asked why she should be lodging in the same building either.

I don't recall the words exactly, not all of them but they were loud, my father ended his diatribe with, 'Get out -- go and stay with that Jew Sheridan next door'. Not quite sure what logic lied behind that particular exclamation, Sheridan was an old man, but the anti-Semitism expressed was genuine and my mother complied with his wishes promptly. It wasn't long before I found myself passing through Sheridan's blue threshold, my mother's hand tightly grasping mine. Inside we were greeted with tea and platitudes. Sheridan it seems was a man of meagre means, his living space was cramped and cluttered. Mother's lips pursed at the unaccustomed taste of sterilised milk as she drank her tea. I'm not sure what I drank, probably orange juice if he had any, maybe it was just water. I was too interested in the terra incognita that was Sheridan's home, strangely he had a large pile of comics, you know the kind we used to have so many of then, The Valiant, Lion, Victor, The Beano and The Dandy too, My my reading skill were basic but the four colour process of the covers was too alluring. I wonder what suspicions a man like Sheridan hoarding such reading materials would arouse today. Whether such suspicions were not such a concern then or if was because of some other imperative I'm not sure but Mother soon left and I found myself alone in the company of Mr. Sheridan. Don't worry, Sheridan's not a nonce so this is no tale of childhood trauma.

Mother left quite discreetly while I was busy with the pile of comics. I was a child used to the absence of parental supervision, being left in the care of my sister on many occasions. A sister who happened to be latterly diagnosed as psychotic though, she disappeared at the first opportunity, probably to entertain the local west indian youths who were populating the area in increasing numbers. Even so if it hadn't of been for the distraction of the comics I would probably have complained, as this day had been marked by more stress than was usual.

Sheridan Himself had left the room, happy it seems to leave me with his comics. I became quite engrossed, the illustrated war stories, populated with have-a-go stereotypes and Germans hiding under dark helmets was successfully holding my attention. After a while, something a little different caught my eye, it was a book, not a comic and I noticed it because of its colourful spine, as it sat amongst Sheridan's modest library of books on a shelf. Emboldened by the spirit of discovery I didn't hesitate to prise it from its resting place. The cover struck me as strange, the comics seemed prosaic by comparison, it was something quite surreal. There was something immediately unsettling about it, the cover was a lurid green with yellow lettering executed in a stylized script and the illustration depicted some objects that I couldn't quite make out but I could see they had faces on them. The only thing I'd encountered like them before was the Homepride men or the Tate and Lyle Mr. Cube. Despite my sense of unease I promptly opened the book and was greeted by a curious musty odour, the illustrations inside though, where quite pleasant to view. They depicted various scenes, usually with some adults accompanied by one or two children. The text accompanying the pictures was very strange though, it was quite dense and set in what seemed to me to be a rather baroque typeface.

Just then, Sheridan entered in the room, he was quite disturbed when he saw me reading or rather examining the book and he spoke to me sharply enough to get my chin wobbling. Something that took me by surprise, since he'd been rather sanguine about my interest in his comics. None the less I complied immediately with his request to 'Put that book down' and retreated, my interest in his collection of printed work curtailed. That's probably when I noticed my mother had left and I started to feel a little vulnerable, to his credit Sheridan picked up on my mood rather quickly and apologised for his outburst. That's probably the first time any adult had ever done that, said sorry to me, there's precious few occasions that adults ever express any feeling of genuine regret, to anyone let alone a child. We only say, sorry because we're coerced or we feel we have something to lose, lets face it, do most adults even have any genuine regrets when they injure or cause distress to others?

I responded rather well to Mr. Sheridan's contrition, well enough to give my curiosity free rein and ask him a question, 'Mr. Sheridan -- why shouldn't I read that book?'

He answered me directly 'That book's evil, I would burn it, a child should be reading it?' his words seemed contradictory to my ears, he continued, 'It's propaganda.'

'What's propaganda?' I asked, I pronounced the word as if I was querying about a male goose.

'It's a weapon, a weapon used to do bad things, used by bad people to turn others like them, make them the same as them.'

The concept of a weapon was something I could understand even in my immaturity, the comics I had just examined had been full of heroes and villains employing diverse examples of such: rifles, machine guns, knifes but the idea that a weapon could turn your foe into an ally seemed potent indeed to my young mind. I wasn't exactly sure how such a device could reside between the pages of a book, so I set my mind to discovering its secrets. 'How can I get a propaganda?'

'Those comics you're reading, they have heroes in them -- those heroes have guns I suppose, what they do with them?'

'They kill the baddies.' I said triumphantly.

Then he looked at me in the eye, 'That's what weapons are good for boy, death'.

'Kill the baddies, kill the baddies' Just then mum arrived back, she probably been gone less than an hour. She thanked Sheridan and we left.

Thursday 16 May 2013

Secret Oranges: 1922 Kodachrome Film Test

I thought this was worth spreading around, it's got bags of historical interest and it's also visually appealing. Have a look for the breeze in some of the shots, obviously from a fan in the studio, probably there to test film's ability to capture movement although I'm sure that the lights must have been throwing out a good deal of heat too.

Friday 3 May 2013

I think they call it an Aunt Sally

Don't worry this isn't me pledging unending fidelity to the party and I wouldn't dream of telling anyone how to vote because history as taught me I'm not very good at voting but I couldn't resist this dig in the light of events.


I could tell something was up when I went to vote yesterday, as I tucked my slightly translucent ballot paper in the box it came in for some scrutiny from a curious ballot supervisor. I could see a definite, oh no not another one, look on his face. I'm not the only one who thinks that the portion of the vote UKIP nabbed yesterday is in no small part due to rather ham fisted campaign against them in the media, one of most notable instances of which was perpetrated by the Honourable Kenneth Clark MP, who I think called them, "Racist clowns". Uh yes Ken, that's less than convincing let me tell you, you'd would've thought someone would've put him wise by now.